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IB English A: Language and Literature Paper 1 Commentary Advice

Many students, both HL and SL, come to Elite IB for assistance with Paper 1, the unseen aspect of the IB Language and Literature course. This blog aims to address some of the most common concerns and to provide students with a highly useful method to write the ideal commentary.

Standard Level

The biggest difference between SL and HL is that you only have to write a commentary on a single piece at Standard Level. The IB selects a diverse range of sources for Paper 1 extracts so the key here is flexibility. This adaptability is something you can acquire by doing lots of practice on different types of text, going above and beyond the mocks you do with your teacher.

It is very important to appreciate the IB’s assessment criteria when thinking about how to structure your commentary. These are broken down below.

Criterion A – Understanding and Interpretation

The IB is looking for an excellent overall appreciation of the text: its main message, the central purpose of the author, as well as an understanding of its basic features. You should aim to show this at the very beginning of your commentary, and this should be the first thing you are trying to understand about the text when you read it for the first time.

Criterion B – Appreciation of the Writer’s Choices

Throughout your commentary, you should bear this criterion in mind. Try not to stray too far into the broad themes of the passage because the examiners are always looking for a focus on the linguistic features of the text , and the exact techniques by which the author is conveying their overall meaning.

Criterion C – Organization and Development

You should avoid a line-by-line approach to your commentary: instead, organise your paragraphs around specific themes and features of the text.

Criterion D – Language

Write in a formal fashion, using as much precise vocabulary as possible. Avoid slang and make sure you quote frequently from the passage – around three times each paragraph.

How to write a commentary in 14 steps

• When you open the paper, look at each of the extracts and decide which text you will focus on. You should aim to practice various different types (articles, adverts, travel writing etc.) so you are comfortable with them, but it is natural for students to have a preference. Pick the text with the most substance you feel you can comment on in an intelligent manner. Spend a maximum of 5 minutes making this decision.
• Give an initial reading of your chosen passage and try to identify its overall message. Helpful questions you can ask yourself at this stage are: What is the essence of the text? What meaning is the author trying to convey? What is the central emotional resonance? What can you infer about the context?
• Spend some time thinking about this, and then formulate a thesis statement : a single sentence that states very clearly your exact impression of the text. Think of this as the what section of your commentary.
• Go over the text, this time asking yourself the question: how is the author accomplishing this aim? This should not be an attempt to spot features randomly but considering how language has been used to fulfil the essential meaning of the text . Annotate thoroughly, scouring the text for as many different linguistic devices that serve your thesis statement as you can.
• After about five minutes of close reading, you should hopefully have found three or four major linguistic areas. Select three quotations from each of these areas and organise them under headings, trying to add adjectives before them to make your points more specific: e.g. sensationalist language, use of juxtaposing quotations and erratic structure.
• Now you are ready to begin your plan. Write your full thesis statement . For example: ‘throughout the article, the author performs a subtle piece of satire that ridicules the current US President comprehensively, and this is achieved through the use of dark humour, effective linguistic motifs and a simple structure.’ The thesis statement should combine your overall impression of the passage with a precise indication of the three main linguistic areas you are going to focus on .
• Now plan each of your three paragraphs. Ideally, you will select three quotations, one from the beginning, middle and end of your text, demonstrating an appreciation for the device across the passage and noting any differences or developments. For each quotation, write a few words in your plan that will prompt you to analyse the language of the quotation directly . Overall this will mean around nine quotations, each of which you will analyse in turn throughout your commentary.
• Try and find good linking sentences between these paragraphs as you plan them, rather than beginning each paragraph with ‘Another aspect of the text is…;’ Using good conjoining sentences will make your commentary seem more than the sum of its parts and help you fulfil Criterion C.
• Once you have completed this for all your paragraphs, you are ready to start writing! You should spend around 30 minutes on your plan : this may seem like a lot but it will mean that when you come to writing the commentary you will be able to do so much more fluently and will save yourself time.
• Begin the commentary with some brief context about the passage, no more than a few sentences. After that should be your thesis statement, which should be stated in a precise and clear manner. Then outline the three main areas you will be focusing on, indicating the approach you will take, remembering to include precise adjectives.
• Next, go into your first paragraph. Think of each paragraph as being a mini-essay. Just as the introduction serves as the basis from which the rest of your essay is expanded, each paragraph should unfold neatly from its opening sentence. Therefore each of your quotations should merely be illustrations of the point you make in your opening sentence. Make sure you analyse the specific language of each quotation, remembering each time to connect those thoughts to the message of your thesis statement.
• In between each paragraph, try to use as many connecting sentences as possible. If, for example, the sarcastic tone of an article is conveyed through its structure, use this as the bridge between those two paragraphs.
• As you progress through the commentary, remember to quote frequently from the text. Keep the quotations short so you can go into lots of details about the techniques being used.
• Your conclusion, much like your introduction, should not be very long. Hopefully, the process of writing the commentary has prompted you to think of something in addition to your original thesis statement. Perhaps there is greater subtlety you wish to add at this stage. Make one additional comment on the text overall and then recap the main areas you have written about. End with a direct reference to your original thesis statement.

The more you practice, the more you will feel able to write four or five paragraphs in your commentary. This is absolutely fine, and the same method suggested here can also be used.

Higher Level

This is a great chance to display your skills in comparison and contrast, something you will be familiar with from other parts of the IB.

Assessment Criteria

The main difference with the HL criteria is Criterion A: Understanding and comparison of the texts

Level 5 – ‘There is an excellent understanding of the texts, their context and purpose, and the similarities and differences between them; comments are fully supported by well-chosen references to the texts.’

A lot of the method for planning and structuring the commentary at HL is similar to the SL method, so what follows is some useful advice on how to Compare and Contrast.

• Always organise your paragraphs around particular themes and features of the text.
• Focus on the points of similarity in these themes within each paragraph, and then move on to discussing the differences. You should avoid writing a commentary that deals entirely with one passage and then another since the IB is looking for a coherent structure that can synthesise both passages into a single effective commentary.
• In your paragraphs, remember always to directly analyse any language that you quote. This should involve some comment on the way in which the author’s language is shaping their meaning, and also the effects on the reader .
• You should always use the guiding questions that the IB gives as part of the Paper 1 question, but be sure to be more precise than this when you are structuring your essay. In your introduction, it can be tempting to follow the guiding questions broadly and write something like, ‘and this is achieved through the use of tone’ but this is actually rather imprecise and not what the examiners are looking for. It is absolutely fine to use these prompts in your commentary, but always be sure to specify the way in which this feature has been used rather than just a generic reference. Therefore, rephrase it in your introduction by saying, for example, that you will discuss the use of ‘sardonic tone’.
• Try to infer as much about the context as possible: the date of the publication, the information in the passage, your own knowledge about what is being discussed. Use this to inform your ideas about who the readership of the text might be, and therefore the effects that certain techniques might have on these readers.
• Finally, remember to keep quoting directly from both texts. Avoid going off into broad comparisons between ideas in both texts, and remember to keep your commentary grounded in the language that is being used, and the relationship that has to the overall meaning of the text.

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English A Paper 1 Annotation (ACTS Method of Analysis)

People often ask us IB English teachers, “How do I know what I need to highlight in a Paper 1 text?” It’s not an easy question to answer because every text is different. However, it’s clear that in a 1 hour 15 minutes exam (SL) where you have to analyze an unseen text or 2 hours 15 minutes exam (HL) where 2 texts await you, time is not your friend.

Arguably, the most important aspect of any Paper 1 text is the author’s purpose. What is the author trying to tell the reader? What do they want you to think about during and after reading or viewing the text? What ideas are they trying to share with you? Have they written the text to persuade, inform or entertain (PIE)? Or is this text merely sharing an opinion or explanation? The former three purposes represent the three main surface-level types of author’s purpose (PIE) but you need to delve much deeper if you want a strong score. An advert obviously tries to persuade but to do what? More importantly, how does it persuade? Who does it try to persuade or who would such persuasive techniques more likely succeed to persuade? How do the form and meaning combine to persuade? Are there some readers who it would not manage to persuade?

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Some of these questions can be answered easier than others – answers often leap out as you first read a text but other points remain elusive until after an exam and you start discussing it with your classmates. It’s easy to miss certain points within a text when you have no organized method of annotation. What you should annotate and write about is always different but always similar.

To analyze a text well, you need to comprehend it well. The following (Big 5) should be the minimum of the questions that you are trying to solve:

Audience and Purpose – Who wrote the text? Who was it written for? Why did the writer write it? 

Content and Theme – What is the text about? 

Tone and Mood – What is the writer’s tone? How does the text make the reader feel? 

Stylistic Devices / Structure – What stylistic devices does the writer use?  / What kind of text is it? What structural conventions are used?

Before the start of your IB English A Language & Literature Paper 1 exam, you are given 5 minutes to look at the texts. SL students should choose one text. HL (new curriculum) need to write two separate analyses. Firstly, go to the bottom of the text to see the text-type and author’s name – these give you hints about context before you start reading. There may also be contextual hints at the start. Next, use the time to skim both texts quickly (2 minutes). SL students, trust your gut instinct and just go with it. After skimming, read through the text slowly but don’t annotate yet. Get a feel for the author’s main idea(s) and how they try to fulfill that purpose. Then, use one of the methods of analysis (ACTS, SOAPSTONES, STATIC, etc.) and start highlighting sections like a lunatic! Use the margin to add notes – is it about stylistics or structure? Why has the author chosen it and what effect does it have on the writing? How do devices combine? What effect does the image (if there is one) have on the text and reader?

Generally, you need to show that you understand how the author fulfills their purpose but you also need to show an understanding of the importance of context and who the target audience is/are, as well as conveying that you know how all of the different parts interconnect. The ACTS model is often criticized by teachers for not being thorough enough but has also been utilized to produce level 7 responses. The truth is that teachers often have a very convoluted idea of what the IB is looking for in an English A Paper 1 answer. ACTS, STATIC or TEAPCALIM all serve the purpose of helping you quickly remember the main points to analyze. How you choose to structure an essay is much more complex.

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This page gives examples of the types of non-literary texts you might receive for text-heavy and image-heavy analyses in Paper 1. Take a look and consider how you would perhaps respond to them - use the structure guide in this site to help you. Try assessing the student examples, too, and improve your understanding of what is expected.

Taken from https://www.worldwildlife.org/species/tiger

• How does the organisation use layout, form and content to appeal to the reader to participate and take action?

There is always hope.

Banksy (2002). Girl With Balloon. London.

• How does the artwork use image and medium to portray a message about society?

Student Responses - Text B:

This wall art is from Banksy, and was made in 2002 in London. The same way a piece of writing can have hidden meanings beyond only what words mean, this visual art also has a deeper meaning. This is not achieved through words, but through image and the medium in which the artwork is shown. In this essay I will show how with the use of contrast, shapes, and spray paint, banksy is portraying a message about several flaws in society.

On the picture there is a young girl in a dress who is painted in black and white. The only other element of the picture is the red heart shaped balloon, which seems to have been let go by the little girl and is being carried away by the wind. In the scene of the picture there is wind that can be observed by looking at the girl’s hair and dress which flow in the same direction. This is then confirmed by the balloon flowing in that same direction, that being to the left.

Through the use of contrast in colors, Banksy is showing how the loss of color in one's life is sad. The little girl is only a grey scale person with no color. Color here could represent any emotion in one’s life, but red usually signifies a positive emotion such as excitement, or love which is reinforced by the fact that the balloon is a heart. Without this color, the girl is rendered to a grey and emotionless being. The message relating to society could be that as children lose their sense of wonder, they become regular dull humans.

Just like color, Banksy is using shape to represent emotions, and how they are easily lost by society. The shape of the balloon floating away for the girl is a heart, which can signify a whole range of positive emotions, the most common one being love. The fact that Banksy is using a little girl plays on the prejudice that girls are more emotional than men, which would make the loss of this balloon more impactful to the one seeing the painting.

Lastly, through the use of graffiti, Banksy is denouncing the fact that society doesn't appreciate ethos type of art to make his own more impactful. Society doesn’t like graffiti, this way of making art is frowned upon and is seen as vandalism. Banksy uses this view of his art type to make it more striking since it breaks the people's expectation of museum art being presented in the form of street art. 

In conclusion, through the use of contrasting colors and shapes representing emotions, in addition to a uncommon medium for this type of art, Banksy is making an impactful art piece by utilising and denouncing common social dogmas. Color and shape are used to show the loss of emotions in people, and the way the art is presented as graffiti uses the fact that people think its vandalism to break expectations and portray another type of art.

  Student #2

The non-literary text at hand is a graffiti, sprayed on the bare urban wall in London, UK by the artists under the alias Banksy. The spray-painted graffiti depicting a heart-shaped red balloon escaping the grasp of a little girl appeared in the streets of London in 2002. The caption of the piece: “There is always hope” reveals that the primary message of the image is to give people a sense of hope. However, upon closer analysis, the secondary purpose is to convey an ambiguous message on society, mental health, and love to passersby’s. In order to understand the content, context, and hidden messages of the artwork, the artist’s choice to use an intricate blend of image and medium to effectively communicate these ideas, all the while leaving room for personal interpretation while being discussed in this essay. 

The artwork depicts a young girl in a skirt reaching out with one arm to either catch a balloon or let go of it. The bright red, heart-shaped balloon is being carried away by a gust of wind, which blows towards the girl’s back, gently blowing her short hair in front of her face and her skirt forwards. The artwork was spray-painted on a bleak wall with multiple shades of chipped white paint. Behind the girl, an electricity box with multiple cables runs along the surface, indicating that the graffiti is located in an urban environment, perhaps even on the side of an industrial establishment.  

The image of the text and the extensive use of symbolism is vital in understanding the secondary message of the artwork. One interpretation of the artwork is that it is the visual representation of the age-old saying: “if you love someone, let it go”. This is supported by the shape and color of the balloon, as the heart shape is a classical symbol of love. However, the interpretation doesn’t just stop at romantic love, but also familial love, platonic love, and even love for a set of ideas and values. Furthermore, the authors chose to employ the symbol of a girl as effective as it radiates innocence, implying that the person “letting go” of a relationship is pure at heart. The girl’s outstretched arm represents the longing of  The second interpretation of the artwork’s purpose is that it is trying to give hope to people that are suffering from mental health issues such as depression, and offers encouragement, reminding them that ‘there is always hope’ as a way to aid them in their struggle. The girl, a symbol of innocence, loses the ultimate symbol for hope and love, the heart-shaped balloon. The caption reminds people that even when it feels like hope is lost, represented by the girl’s outstretched arm, it still exists and will return. In this interpretation, the girl symbolizes uncertainty and even desperation, as a child is often associated with helplessness. Next, the wind, which is blowing the balloon away from the girl, represents society. The society around the girl fails to help her, instead of working against her, highlighting the struggle and isolation that people with mental health issues experience.  Page successfully saved!

The medium is extremely important to decipher the hidden messages of the artwork. The fact that the image was placed in a presumably public space supports the interpretation that the artwork relates to depression as it is meant to be seen by random passerby’s and brighten their day. The fact that the artwork itself is graffiti emphasizes the anti-authority, rebellious tone of the image. Graffitis are, by nature, caricatures, and scribbles on surfaces within public view without explicit permission. Hence, the message feels like it is being whispered in secret, further highlighting how little support people with mental illnesses receive. Graffitis can be provocative and can also carry a deep message such as this one. The bright red balloon visually contrasts against the grey and white shades of the wall, insinuating that the balloon, the symbol for hope and love, is the center of attention of the piece. 

In conclusion, the author effectively employs symbolism such as the girl to symbolize purity and innocence, the heart to represent love and hope, and the wind to portray the counterproductive and damaging effects of society to highlight the message. The beauty of the artwork is that several interpretations can be extracted. For example, the earpiece can be seen as a statement on the difficulty and pain of the abstract concept of love, as well as a critique on how society treats people suffering from mental health problems. As the graffiti exists in a public space, it is hidden in plain sight, to be discovered by anyone whose eye it catches. Graffitis such as these casually and subtly promote internal discourse. 

Marchant, N. (20.1.21). World Economic Forum. https://www.weforum.org/agenda/2021/01/climate-change-link-infectious-diseases-covid-19-study/ Extracted 8.3.21

How does the author's tone aid in conveying an important message about the issue at hand?

Cover of TIME magazine (July 2020). New York: TIME inc.

How are textual elements used to create impact and create a call to action?

In this magazine cover of the TIME magazine published in July 2020, the author attempts to inform the reader of the severity of global warming, while also providing a glimpse of hope to the reader. This is done via the usage of a headline as well as a plethora of different trend graphs depicting the general trends regarding different things about climate change.

At the top of the cover, stands a headline - ”One Last Chance” - of one of the articles within the magazine. Below this headline there is the name of the magazine, which gets partly cut off by the trend graph of “CO 2 emissions” (In the middle left of the text) over the “last two centuries” (In the middle left of the text). The TIME logo being cut off here and seemingly being consumed by the CO 2 graph is a metaphor about the dangers of climate change, and creates the message in the future, our CO 2 emissions might ‘consume’ the planet.  Below there are a bunch of graphs showing the trends of different things having to do with climate change. These graphs are filled with the thing they are representing, for example the “SEA LEVEL” (Bottom right of the text) graph looks like water, the “LAND ICE” (Bottom right of the text) looks like ice and the “RENEWABLE ENERGY CONSUMPTION” (Middle left of the text) is filled in with trees. This creates a contrast between the different graphs, and immediately gives an idea of what the different graphs are supposed to depict without even having to read the captions. This makes these graphs very easy to read and understand for the reader. Furthermore these graphs also don’t have a scale or specific numbers, which clearly caters to a non-scientific audience. Instead the graphs only show a general trend over the last two centuries, which is the only thing the reader really has to know. This way the author doesn’t give the reader unnecessarily specific information. 

The graphs mostly depict causes and effects of climate change. They show that “CO 2 EMISSIONS” are going up, and in turn so is the “AVERAGE GLOBAL TEMPERATURE” as well as the “SEA LEVEL”, while “LAND ICE” is decreasing. These things are all commonly talked about when it comes to climate change and inform the reader about the negative effects of climate change and how they’re developing. Additionally however, there are two key details about these graphs. First of all, the CO 2 graph shows a “PROJECTED 7% DROP IN 2020” (Top right of the text), and the graph of “RENEWABLE ENERGY CONSUMPTION” (Middle right of the text) is going upwards. These two things show that actually, there is a chance to combat climate change. The message that these graphs create is that, while climate change is a threat to us and our environment, there is still hope for humanity in the form of renewable energy sources.

The headline shown at the top of the text - “ONE LAST CHANCE” - and the subheading below it - “THE DEFINING YEAR FOR THE PLANET” - expand on this message of a glimpse of hope in a dire situation. The headline means that humanity has one last chance of combating climate change, and informs the reader that we need to act now or it will be too late. Specifically, the thing that is made out to be our one last chance is the year of 2020. Looking back at the graphs, specifically the text saying “PROJECTED 7% DROP IN 2020”, together with the publishing date of July 2020 (Which was well into the covid pandemic) as well as the subheading calling 2020 the “DEFINING” year for the planet, it shows how the author tries to portray the year 2020 and the Covid pandemic as a positive thing for the planet, since it decreased our CO 2 emissions by 7%. This implicitly informs the reader that, to cut down on climate change, everybody needs to cut back on their CO 2 emissions much like they did during the pandemic.

In conclusion, the author utilizes simplified graphs to inform a non-scientific audience about the trends of the causes and negative effects of climate change. Additionally they use a headline and small annotations on the graph to create their overall message, that climate change is a dire issue, and that our one last chance to fight it is now. This chance refers to the growing renewable energy usage, as well as the dropping CO 2 emissions caused by the Covid pandemic.

The TIME magazine (incorporated - inc.) has released a new double edition with the title “ONE LAST CHANCE”, released on the 20th of July 2020. Barely any text and mostly visuals attempt in informing the reader about the drastic changes to resources associated with climate change through the use of colors, image/clip arts, and special textual features. However, the clip art does not only make the cover appealing, it also informs the reader about this history of the environmental factors and the beginning of climate change. 

The magazine cover is a normal A4 sized cover with a red border. The cover is mostly a graph with some statistics such as “7%” for carbon emissions. The header occupies roughly one seventh of the entire cover. The infographic consisting of clip art features takes care of the remaining space. Different environmental factors have been listed including “carbon emissions”, “Average global temperatures”, “land ice”, “renewable energy consumption”, and “sea level”. Each section is represented by the literal meaning of the factors; the sea levels are represented by a water clip art feature, land ice represented by ice crystals, renewable energy by trees, temperature by yellow contour lines, and greenhouse gas (GHG) emissions through greyish tones. Not are the factors colored through their literal meaning, but also where these are located in the infographic. Sea and ice are at the bottom, followed by trees and temperature at the top, with GHGs at the very top and the title doing the rest. This is why the cover of the magazine looks similar to a mountain landscape with the water at the bottom, followed by trees and forest, with bare rocks at the top of the mountain. The colors eventually decrease in shade and increase in brightness in terms of lighting. Also each factor displayed by dotted line graphs does not necessarily start from the very left side. But looking at the infographic, one essential piece is missing; the numerical values. This emphasizes the fact that some data may be very unreliable if not even fake, as the designer may have over exaggerated certain values. All factors except for renewable energy start from the very left side of the infographic, assuming the very left side is the y-axis showing the absolute percentage of increase from 0 to 100. Assuming the x-axis would be the bottom border line representing time (same as the TIME magazine), then the ice caps would be gone half way through time, where renewable energy would begin at half time. This indicates that the clip art shows that the ice caps will have melted away even if we were to start consuming renewable resources. One does need to know how to read such infographics to avoid misinterpretation of the data presented by the factors. The area under the curve until the next line is met is the amount in percentage i.e. any factor starting at 20% going to 22% does not mean that 22% of that factor is being respected, but only 2%. Sea level shows a very slow exponential rise, or one could even see it as being linear rise. Land ice eventually decreases inversely exponentially after decreasing slowly in a linear manner. The water levels at the point of the graph meeting the ice caps show little icebergs floating in the water, showing how and where the ice will land in the end. The year 2020 has survived a global pandemic involving lockdowns and travel restrictions, which explains why there would be a projected drop in GHG emissions. The GHG emissions is the only factor that appears to be in a decline for the year 2020 based on the infographic. Every other factor has either not made it to 2020 or is in a steady state at which it is increasing. The paradoxical presentation of the infographic shows a GHG emission, temperature and sea level increase, while renewable energy also increases. According to geographical sciences, as renewable energy increases, the other factors should decrease due to the less enhanced greenhouse effect (aka global warming). The enhanced greenhouse effect as used in physics describes the warming of the earth. The infographics showing such a dramatic increase in temperature is therefore clearly exaggerated, since the one GHG responsible for most of the temperature increase is water vapour, which is why carbon and nitrogen emissions are only responsible for a maximum of 1.5°C increase, compared to water vapour accounting for the other 30°C since water vapour is also more abundant that other GHGs. 

The magazine is a TIME magazine, enhanced by the fact that the word “TIME” is written largely on the upper half of the magazine using the Times New Roman font, which also has the word “time” in it. The header is clear of color and visuals, but fully packed with words, statements, and the names of known people. The title “TIME” is displayed largely across the cover, and the carbon dioxide emission graph intersects with the title, with the letter “E” to be specific. People who do not know what magazine this is would think that this is a “TIMF” magazine with an “F” instead of the “E”. This means that the actions against the enhanced greenhouse effect should be taken seriously, as we are seemingly running out of time, hence the letter “E” being covered by the emission graph. The running out of time can be seen in many ways; either the 2015 Paris agreement of 1.5°C cannot be halted if emissions continue to rise this year (2020), and/or climate change will be irreversible after a certain period of time with a certain amount of GHG emissions if nothing is done to reduce GHG emissions. One weird thing however is that reports have come out early June 2020 claiming that carbon levels world wide dropped by 7%, which is more than ever before, and exactly one month later the TIME magazine releases this Magazine stating that it is our last chance to handle the situation. ANother way of looking at it would be that one year is not going to be enough, the reductions should take place every year, and a reduction of 7% would not have caused major changes in the reduction of greenhouse gases. The title expresses very clearly that it is “one last chance” with the subtitle “the defining year for the planet” as if 2021 would be everything similar to what happened in the movie 2012 (2009 - the world going down according to the Mayan Calendar). But looking at the title from another perspective, 2020 seems like the year where either GHGs are not reduced and the Paris Agreement is not executable, or that reductions will buy us more time in achieving the 1.5°C annual temperature change goal. This is what could be meant under “the defining year”. The “one last chance” part could be understood as if humans have attempted to reduce GHG emissions in the previous years however failed, and 2020 would be the absolute deadline. Yet the title seems to be over exaggerated, especially when it is know that time progresses and that 2021 will not result in the world going down and that it is not our last chance of anything, especially if the overall temperature rise is only 1.5°C. Since this magazine happens to be a double edition, which is stated very faintly at the top left corner inside the red border, the magazine also contains an addition of “The Dalai Lama, Greta Thunberg, Vanessa Nakate, Oliver Jeffers, Stacey Abrams, Angelina Jolie & more”. This is writing very small under the subtitle. This shows that the magazine attempts to reach a larger audience that may not be interested in the topic of climate change. However as these people are being targeted, their main focus (to spread awareness on climate change) also gets spread even further. These people are either famous due to governmental actions like the Dalai Lama, protests and activism such as Greta Thunberg, or entertainment such as A. Jolie. Everyone reading this magazine might not know who these people are and what they did, which is why these people are probably the ones for more GHG restrictions, but displayed in such a way as if these people belong to the additional stuff from the magazine in the second half of the double issue. 

Overall the author has successfully attempted to raise awareness about the time we are running out of slowing down the enhanced greenhouse effect (climate change cannot be halted as it is a natural phenomenon which was present since the creation of earth). This was achieved through the well laid out graphical analysis of certain issues impacting the climate and the hyperbolic title of our last chance of doing something to slow down the enhanced greenhouse effect. Many statistics are obviously over exaggerated and the graphics are not to scale, since the human population has already started consuming renewable resources before all ice has melted away, which is stated otherwise in the graphics. These large details however can mostly only be detected through a handful of pre-knowledge of the reader who studied the topics of science and atmospheric physics. Most people do not know these research results and hence fully believe and hysterically spread the news around about the last chance and the topic of climate change by referring to the graph on the cover page, which is what the TIME magazine hopes to achieve in my option. Especially if they are not only to inform the reader, but to also get as many viewers as possible to get more money through subscriptions. Yet the magazine is well designed.  

Things to Consider

What would an examiner take into account when reading these responses?

Is the response a response to the Guiding Question? Is it explicit? If not, and the student has rejected the guiding question, have they established their own question or line of inquiry?

I think the answer to this is mixed. One or two of the responses do take the guiding question into account and frame the response around it. Whether it is explicit enough, though, is questionable. One or two others would be perfectly good commentaries on the full text, but don't really establish themselves as guided textual analyses responding to the question.

It is worth noting that in both examination sessions to date (December 2021, at time of writing), the visual has been an infographic rather than a magazine cover as above.

How would you grade these four examples? Perhaps, instead of marking them /20, consider ranking them in order of quality, to see if you can identify what good things can be taken from each.

How much of Paper 1 - Sample texts and student work have you understood?

Which of the following best describes your feedback?

Structuring Your IB English Paper 2 Essay

The blueprint for a perfect essay.

IB English Paper 2 is your chance to shine by demonstrating your ability to compare and analyze literary works effectively. A well-structured essay is crucial for conveying your ideas clearly and scoring high marks. Let’s break down the ideal structure for your Paper 2 essay to ensure you hit all the key points and impress the examiners.

Understanding the Basics

Exam overview.

• Duration : 1 hour and 45 minutes
• Format : Comparative essay based on one question chosen from a set of six.
• Texts : Compare at least two works from the prescribed reading list.

Key Elements of the Essay

• Thesis Statement : Your central argument or perspective on the chosen question.
• Comparative Analysis : Balanced examination of similarities and differences between the texts.
• Textual Evidence : Quotations and references to support your analysis.
• Coherent Structure : Logical flow of ideas with clear paragraphs.

Detailed Essay Structure

Introduction (1 paragraph).

• Example: "In the realms of literature, the portrayal of human struggle often reveals profound truths about society and the individual."
• Example: "Both George Orwell's  1984  and Aldous Huxley's  Brave New World  explore dystopian futures, yet their approaches highlight different aspects of societal control."
• Example: "While Orwell's  1984  focuses on the overt oppression of a totalitarian regime, Huxley's  Brave New World  depicts a subtler form of control through pleasure and conditioning, revealing the multifaceted nature of human subjugation."

Body Paragraphs (4-6 Paragraphs)

Each body paragraph should focus on a specific aspect of comparison, such as themes, characters, settings, or literary techniques. Use topic sentences to introduce the main idea of each paragraph.

• Example: "One of the central themes in both novels is the manipulation of truth."
• Example: "In  1984 , Orwell illustrates this through the Ministry of Truth, where historical records are continuously altered to fit the Party's current narrative. A prime example is the character Winston Smith, who works to falsify documents, creating a reality where the Party is always right."
• Example: "Conversely, in  Brave New World , Huxley presents a society where truth is manipulated through the use of hypnopaedic conditioning. The constant repetition of slogans like 'Ending is better than mending' ensures that citizens accept the engineered reality without question."
• Example: "Both authors reveal how the manipulation of truth serves to maintain control, albeit through different mechanisms."

Repeat this structure for each aspect you are comparing, ensuring that each paragraph transitions smoothly to the next.

Conclusion (1 Paragraph)

• Example: "In conclusion, Orwell and Huxley offer compelling insights into the nature of societal control, with  1984  emphasizing overt oppression and  Brave New World  highlighting the insidious power of pleasure and conditioning."
• Example: "While both novels address the manipulation of truth and the subjugation of individuals, their differing approaches underscore the complexity of totalitarianism."
• Example: "As we navigate our own rapidly evolving societies, these dystopian visions prompt us to reflect on the subtle ways in which our perceptions of truth and freedom may be shaped."

Tips for Writing a Strong Paper 2 Essay

Plan your essay.

Spend the first 5-10 minutes planning your essay. Outline your main points, textual evidence, and how you will structure your analysis. A clear plan will help you stay focused and organized.

Use Comparative Language

Throughout your essay, use comparative language to highlight similarities and differences. Phrases like "similarly," "in contrast," "both," and "whereas" can help create a coherent comparative analysis.

Stay Relevant

Ensure that every point you make is directly related to the question and your thesis. Avoid tangents or overly broad statements that do not contribute to your argument.

Be Concise and Clear

Clarity is key. Express your ideas succinctly and avoid unnecessary jargon. Ensure that each paragraph contributes to your overall argument.

If time permits, proofread your essay for any grammatical or spelling errors. Ensure that your arguments are clearly articulated and that your essay flows smoothly.

Mastering IB English Paper 2

A well-structured essay is crucial for success in IB English Paper 2. By following the outlined structure and incorporating the tips provided, you can write a coherent, insightful, and persuasive comparative essay that impresses the examiners.

Ready to master IB English Paper 2? Join RevisionDojo today and access personalized study tools, curriculum-specific question banks, and resources enhanced by Jojo AI. Let us help you navigate your reading list, practice your comparative analysis, and achieve your academic goals with ease.

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IB English A (Lang & Lit) HL Essay IA examples

Type a search phrase to find the most relevant English A (Lang & Lit) HL Essay IA examples for you

Not sure what to search for? You can always look through our example Internal Assessments below for inspiration.

All English A (Lang & Lit) HL Essay IA Examples

Filter exemplars, how does jordan peele represent racism in the 21st century in his thriller movie ‘get out’, in what ways does henrik ibsen, in his play, a doll’s house, employ stylistic features to communicate the victorian social codes of the 1870s, want to get full marks for your ia allow us to review it for you 🎯, how does barbara kruger’s usage of imagery, text, and coloring in her different artworks create relations in order to employ women’s bodies and beauty standards in society, how does beyoncé portray the american black southern identity struggle by reclaiming cultural elements in the visual album lemonade, how does shakespeare use characterisation to conform to and challenge gender roles and expectations in the play macbeth, fast track your coursework with mark schemes moderated by ib examiners. upgrade now 🚀, how does marjane satrapi portray western stereotypes about the iranian culture in her graphic novel, persepolis i , to what extent does the patriarchy dictate female identity and enforce their transformation in carol ann duffy’s the world’s wife, line of inquiry: how does the representation of women in liza donnelly’s cartoons convey harmful societal norms and expectations as a barrier to women’s empowerment in different levels of society, how does dangarembga’s use of characterisation for tambudzai and nyasha portray hybrid identities as a result of assimilating into a dominant culture in nervous conditions, how do the comedic devices come out as an expression of jo koy’s cultural identity in his netflix special 'live from seattle', how does maya angelou, in her collected poems, celebrate the resilience of women through her perspective as an african-american poet, how does social stratification affect the morality or the moral standards of the great gatsby in the given social context, how rishi sunak's speech net zero reflects a shift in political strategy towards addressing climate change, and how this impacts youth perception and support for increased governmental action, to what extent does jane austen in her novel pride & prejudice use characterization to emphasise the traditional family & marriage model of the early 19th century, how does marjane satrapi use the plot of her graphic novel persepolis to illustrate the effect of fear on a child’s personal development during wartime, how and to what end are stylistic devices utilised in portrayal of masculinity in the late 20th century marlboro advertisements, how does nawal el saadawi represent the impact of religion and culture through symbolic features in the novel, woman at point zero, how does virginia woolf portray women's struggles in the early 20th century through literary techniques and narrative style in “a room of one's own”, how does akhtar represent amir’s internal conflict with his islamic cultural identity in “disgraced”, and to what effect, in what ways and to what effect does marjane satrapi illustrate the struggle for identity formation in persepolis: a story of a childhood, through the use of emilia’s character in othello, how does shakespeare reflect the realities of women in the elizabethan era to provide historical commentary, how does natalie diaz explore the marginalisation of native american people and how it affects their relationship with their identity in her poetry, how does kazuo ishiguro employ a first person point of view to explore the ways stevens’ sense of duty and loyalty shape his identity in the novel the remains of the day, how does michelle obama’s use of transformative narratives in her speeches inspire and empower audience to affect personal and societal change, how does banksy utilize visual and textual elements in his artworks in order to transform the publics opinion on capitalisms prominence in modern-day society, how and why is the notion of corruption in colonial algerian society in the 1940s presented as the result of the rejection of that which is different from the common standard in the stranger, how does george bernard shaw offer a critique of victorian society through characterization in his play “pygmalion”, in "jump and other short stories," how does nadine gordimer employ the concept of "otherness" to examine the ways in which groups construct their identities in a society marked by racism and segregation, how does margaret atwood utilize characterization, symbolism, and setting to portray offred’s change of identity during events after the fall of the united states in the dystopian novel the handmaid’s tale, how does william shakespeare portray the transformation of othello’s character caused by jealousy in his tragic play othello, how does federico garcía lorca convey passion in a way that contradicts the social norms within blood wedding, how does duffy critique the madonna-whore dichotomy by revisiting historical representations of women, how does the narrative of the documentary "ice cold: coffee, murder, and jessica wongso" attempt to reshape the audience's perception of jessica wongso’s guilt, how does banksy utilize visual elements in his 2008 new orleans art collection, to criticize the american government’s response to hurricane katrina, how does travon free utilize symbolism in the film two distant strangers to illustrate the struggle for survival and the need for change for african americans, how does walter astrada represent the pain and violence against women in his photography collection titled “femicides in guatemala”, to what extent does the film dead poets society by peter weir promote the pursuit of passion and self-expression, how does guy delisle’s use of symbolism in pyongyang indicate the democratic people's republic of korea's tactics of maintenance of power, how and to what effect does chekhov's characterization of the titular three sisters reflect the greater sociopolitical upheavals of late nineteenth-century russia, how does natalie diaz portray addiction and its impact on family dynamics.

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Mastering the IB English IO: A Comprehensive Guide

The International Baccalaureate (IB) English Individual Oral (IO) is a pivotal component of the IB curriculum, carrying a significant weight in the final assessment. With the right approach, students can navigate this challenge and emerge with top marks. Drawing insights from seasoned IB educators, let’s delve into strategies that can help you secure a Level 7 in your IO.

Understanding the IO’s Significance

The IO is more than just a presentation; it’s a showcase of your analytical skills, understanding of literature, and ability to connect texts to global issues. For Standard Level (SL) students, it accounts for 30% of the final score, and for Higher Level (HL) students, 20%. This assessment involves a 10-minute presentation and a 5-minute Q&A session, making preparation crucial.

Selecting Your Texts and Global Issue

Begin by choosing a literary work and a non-literary body of work that you have studied. These texts should provide a rich ground for exploring a global issue—a theme that is significant, transcends national boundaries, and resonates with daily life, such as inequality or cultural conflict. Your task is to examine how these texts portray the selected global issue.

Crafting Your Presentation

The structure of your IO is paramount. Here’s a recommended framework:

•Introduction (1 minute): Introduce the global issue and its relevance, followed by a brief overview of the chosen works and your thesis statement.

•Body Paragraphs: Analyze how the global issue is presented in the overall texts and specific extracts. Dedicate about four minutes to each work, employing the Point-Evidence-Explanation (PEE) method for a robust analysis.

•Conclusion: Recapitulate your main arguments, reinforcing the connection between the texts and the global issue.

The Four Pillars of Assessment

Your IO will be evaluated based on four criteria, each with a ten-point scale:

1.Knowledge and Interpretation: Demonstrate a deep understanding of the texts and their nuances.

2.Analysis and Evaluation: Critically analyze the texts, providing insightful evaluations.

3.Focus and Structure: Maintain a clear, logical flow throughout the presentation.

4.Language: Utilize an academic register and appropriate literary terminology.

Level 7 Tips and Preparation

•Sample IOs: Listen to exemplary IOs to understand the caliber of a top-scoring presentation.

•Essay Practice: Write a comprehensive essay based on your IO structure and practice delivering it.

•Expert Guidance: Consider seeking feedback from IB experts who can provide tailored advice based on the texts you’re studying.

•Memorization and Practice: Memorize your essay and rehearse your delivery, aiming for clarity and confidence.

Final Thoughts

The IO is an opportunity to demonstrate the culmination of your IB English studies. It requires not just understanding of the texts and issues but also the ability to communicate your insights effectively. By following a structured approach, practicing diligently, and seeking expert advice when needed, you can approach your Individual Oral with the assurance that you’re prepared to excel.

Remember, the IO is as much about preparation as it is about performance. Take the time to understand your texts, connect with the global issues at hand, and refine your presentation skills. With these strategies in place, you’re well on your way to achieving a Level 7 in your IB English Individual Oral.

A friendly reminder: we’re here whenever you need help with your IO! Just send us a message now via WhatsApp or Facebook Messenger , or fill out our online form .

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IB English A: Literature: Individual Oral Assessment Considerations

Please note:  The purpose of this information is to elaborate on the nature of the IB assessment tasks, define and explain the assessment criteria and their implications, share observed challenges in students’ submitted assessment work, and offer strategies and approaches for assessment preparation.    

This post is not meant to replace a reading of the  IB Language A: Literature Subject Guide  or the  Teacher Support Materials  available on  My IB .  Those resources should always be a first stop for teachers in checking the requirements of each assessment task and how the task should be facilitated.    

Individual Oral Overview

30% at sl; 20% at hl, nature of the task.

• The Individual Oral is 15 minutes long. For the first 10 minutes, the students will deliver their response to the prompt, which is then followed up with a 5-minute discussion led by the teacher. 
• The prompt for the Individual Oral is: “Examine the ways in which the global issue of your choice is presented through the content and form of two of the works that you have studied. 1 ” 
• The rubric on which the Individual Oral is assessed is worth a total of 40 marks. 
• On the day of the exam, students will bring blank copies of their extracts as well as 10 bullet-pointed notes into the room. The extracts they choose should be representative of the way in which a global issue is presented in the work and may also provide the students a few talking points about authorial choices that contribute to that presentation as well. The extracts are not the center of the discussion but rather serve as launching points to talk about the work(s) as a whole, and Criterion C assesses that the students are balanced in their examination of both extracts and works. 
• After the first 10 minutes, teachers ask the student follow-up questions. This can be an opportunity for a teacher to nudge students in the direction of aspects of the prompt/assignment requirements that were not adequately addresses in the assessment.  While it may be helpful for the teacher to pre-prepare follow up questions, the teacher-student discussion tends to be more organic and helpful to the student if the questions build upon points the student has made in their oral.  Furthermore, teachers should avoid leading questions. 

Selection of the global issue

• A global issue is an issue within the work that exists transnationally but is also something that manifests in local contexts. Something like “how a community is dependent on fracking in Colorado” would be too precise to be a global issue. Something broader like “how the harvesting of energy sources impacts communities” might be more appropriate as it can be applied to other locations and situations. 
• Students and teachers should refer to the five Fields of Inquiry in the Language A guide 2  or the  UN Sustainable Development Goals  (SDG’s) as launching points for developing more specific global issues.  

Fields of Inquiry

• Culture, identity and community 
• Beliefs, values and education 
• Politics, power and justice 
• Art, creativity and the imagination 
• Science, technology and the environment 

Sustainable Development Goals

• No poverty 
• Zero hunger 
• Good health and well-being 
• Quality Education 
• Gender Equality 
• Clean water and sanitation 
• Affordable and clean energy 
• Decent work and economic growth 
• Industry, innovation and infrastructure 
• Reduced inequalities 
• Sustainable cities and communities 
• Responsible consumption and production 
• Climate action 
• Life below water 
• Life on land 
• Peace, justice and strong institutions 
• Global partnerships
• The student can further narrow the global issue from these broad fields.  A specific and more narrowed global issue helps students sustain focus in the task and adequately develop their ideas in the 10 minutes allocated to the presentation portion of the Individual Oral.  
• Penalty:  Orals that discuss more than one global issue will score a zero in Criterion A. 

Selection of work s/bodies of work

• SL Students should note that the works they choose are not eligible to be used for their Paper 2.  
• HL students should note that the works they choose cannot be used for the Paper 2 or HL essay.  
• Students must also select extracts from their works that serve as a supportive example of what they are asserting about each work’s presentation of the global issue.  
• The learner portfolio can be a helpful place for students to look back on their coursework and identify global issues that are prominent throughout the works they have studied.  
• Penalty:  Students who base their oral on two works written in English or two translated works will score a zero in Criterion A. 

Selection of the extracts

The extract should contain 40 consecutive lines (max), or the equivalent. 

• “The equivalent” can be interpreted as a significant moment or sequence in a work that is typically a page in length (e.g., a page of a graphic novel).  
• A complete text such as a poem or song can be an extract.  
• For texts containing images, extracts should be replicated in color when possible. 
• Adding line numbers and/or figure numbers to the extract will help the listener locate specific parts of the extract with ease. 

What is the Individual Oral Assessing?

Criterion a:  knowledge, understanding, and interpretation (10 marks), defined terms.

• The student’s answer to the prompt should consist of two overarching conclusions, one for how each work presents the global issue. These can be presented as thesis statements at the beginning of the oral. According to the rubric, orals that do not interpret implications in relation to the global issue (i.e., by offering a conclusion) are unlikely to score above a 4 in criterion A. 
• The response should discuss the ways in the global issue is presented in both the extract and the work.  Responses that only discuss the extract or only discuss the work are unlikely to show “adequate” understanding.   
• When the extract serves as optimal evidence for how the global issue is presented in the entire work, this helps the student balance their discussion, make connections, and fluidly discuss both the extract and the work. 
• During the 5-minute teacher-led discussion, students can demonstrate further knowledge and understanding through their responses to their teacher’s questions which can enhance their mark in Criterion A. This can be an opportunity to recall more details from the work or add more nuance to an interpretation.  

Activities and protocols that develop skills related to knowledge, understanding, and interpretation.

Formulating Interpretive Statements

This activity scaffolds the process of developing an “interpretive statement” in response to a text or work.  This is achieved through a sentence completion exercise […]

Continue Reading

This protocol helps students independently synthesize information, events, or key ideas from a work/body of work.  Process Ask students to identify 5 words that represent […]

Card, Stack, and Shuffle

Assumptions play an important role in our understanding and interpretation of work, and this protocol helps students critically evaluate assumptions.  The types of assumptions will […]

Concept Formation

In this activity, students use small examples to establish what a concept is (and is not).  This inductive strategy works to give depth, ownership, and […]

In this activity, students publicly identify their position in response to ideas and issues and justify that position with like-minded (and differently minded) peers.  This […]

Interviews using Naïve Questions

Conversations with a naïve partner can be an effective means to engage in reflection and identify gaps in knowledge or understanding.  The protocol below can […]

Criterion B:  Analysis and evaluation (10 marks)

• The identification of authorial choices can only get students so far. These features should be mentioned only if they support claims about the presentation of the global issue (see the “Focus” element of Criterion C). If the analysis of authorial choices is not in reference to the global issue, the rubric indicates that students are unlikely to score in the adequate bands and above. 
• Students are rewarded for making meaningful references to form-specific elements, genre-specific elements, and using corresponding terminology correctly, assuming the analysis is in reference to the presentation of the global issue.  “Simple” or more obvious authorial choices are rewarded in the middle bands of the criterion.  The higher bands reward attention to detail and perceptive insight which often includes a careful, close reading of the work.  
• Because the IO prompt asks the student to consider both the “content and form” of the works, there is an implied expectation they address the literary form and its corresponding formal features.  As teachers prepare students for this assessment, they can remind students to consider structural choices (in addition to language choices) made in the extract and in the work as whole.  
• Credit for “evaluation” is only attainable in the top two mark bands of Criterion B. Students must work to appreciate how those authorial choices present the global issue. Their conclusions might even weave in discussions about why the work communicates its ideas about the global issue in a specific way; it might have to do with the specific elements of a form, the function of literary works, the culture in which the work was produced, etc. 
• During the 5-minute follow-up discussion, teachers might ask students to provide further analysis of the extracts and the works which can enhance the student’s mark in Criterion B. This can be an opportunity to further detail the effects of specific authorial choices or recognize patterns of or connections between authorial choices that work to develop the global issue.  

Activities and protocols that develop skills related to analysis and evaluation

Why might this detail matter?

This activity gets students to think about the significance of minor details in a work.  These details can be used as evidence to form the […]

Ladder of Abstraction

This activity allows students to process the ways in which details from a work might represent larger abstract ideas. Process Divide students in groups of […]

This activity helps students visually see and appreciate the ways in which parts make up a whole.  One of the challenges many students have is […]

Diversity Rounds

This protocol directs students to reflect on the ways in which their identity shapes their reading/ audience response compared to others in a group.  The […]

Criterion C:  Focus, organization, and development (10 marks)

• There is no prescribed way for students to organize the ideas they wish to present. However, like with the other IB English assessments, students must think about how they can best convince someone of their drawn conclusions, which often includes considering the order in which they present their ideas so as to develop the most effective line of reasoning.  
• It is important that students balance their presentation.  There are two considerations here:  the first is balancing the discussion between the two literary works; the second is balancing the discussion of each extract and its corresponding work. This plays an important role when awarding marks in this criterion. 
• It is worth noting that comparative analysis and evaluation is not a requirement of the assessment criterion, but students may discuss connections and contrasts between the work and body of work if it seems natural or interesting to do so. However, this should not be the focus of the task.   
• Criterion C will only be assessed based on the first 10 minutes of the individual oral; a student’s response cannot be improved or damaged based on the organization of their responses to their teacher’s questions [3].  
• The extent to which students adhere to the 10-minute time limit is considered in this criterion.  Orals that have long stretches of silence or are considerably under or over the 10-minute mark, may be limited in what they can achieve in this criterion.  

Activities and protocols that develop skills related to organization and development

Generate, Sort, Connect, Elaborate: Concept Mapping Significant MOMENTS in a Work

This activity asks students to individually identify significant moments in a work and collaboratively connect the moments to ideas, issues, and other moments in the […]

Generate, Sort, Connect, Elaborate: Concept Mapping IDEAS in a Work

This activity asks students to individually identify ideas and issues developed in a work and collaboratively connect and develop one another’s ideas.  This ultimately helps […]

This protocol helps students consider which ideas, issues, and feelings are playing a significant role in shaping their personal response to a work. Process Give […]

Criterion D:  Language (10 marks)

• Though this is an oral assessment, the student’s language is assessed in a similar way to the other assessments, considering clarity, accuracy, variety, and style. It is important to note that even a student with occasional errors can still score well if their language is effective (persuasive and nuanced) enough to enhance their presentation of the ideas in the oral.  
• Unlike in the previous oral, students now can “practice” the presentation of their ideas before the exam. Students can take advantage of this to try to think about enriching the vocabulary they use, transitioning fluidly from point to point, and using a variety of sentence structures. However, students may not prepare a “script” for their presentation, and the 10 bullet points they bring cannot be excessively long, which means it should still be a verbal articulation of ideas rather than a recitation. 
• A wider vocabulary and knowledge of sentence structures gives students more language tools to express abstract and complex thoughts.   
• Correct use of literary terminology may be considered in awarding marks in this criterion; however, jargon is not the sole focus.   
• The Individual Oral is a formal assessment and therefore students are expected to sustain a formal register throughout the presentation.  Of course, voice is welcomed in all IB assessment tasks: formal assessments do not need to be turgid. 

Activities and protocols that develop skills related to use of language

Interpretive Statement Wall

This protocol helps students develop revision skills by asking clarifying and critical questions about each other’s interpretive statements or thesis statements.  This helps students develop […]

Evaluating Thesis Statements

This activity helps students understand the role language plays in communicating specific and complex ideas in a thesis statement.  The approach invites active collaboration, and […]

Discussion Posts and Personalized Learning

This formative assessment gives students an opportunity to personalize their learning while engaging in collaborative discussion with their peers around their chosen text(s) or work. […]

Stir the Classroom

This protocol requires that members take ownership of the ideas discussed within a group so that if called, they can synthesize them for their next […]

This protocol helps students generate ideas in response to a work. Process Give students a writing task, asking them to identify one thing they think […]

[1] Language A: Literature Guide, First assessment 2021 , IBO: 2019. pp. 56.

[2] Language A: Literature Guide, First assessment 2021 , IBO: 2019. pp. 57.

[3]  “10 tips for schools & teachers for the individual oral”. My IB Website, IBO: 2020.  

[4] Language A: Literature Guide, First assessment 2021 , IBO: 2019. pp. 61.

Photo by Magda Ehlers

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Mastering Level 7 IB Paper 2 Sample Essays: Analyzing, Dissecting, and Improving

Analyzing Level 7 IB Paper 2 sample essays involves dissecting their thesis statements for clarity and support, scrutinizing structural elements for coherent flow, and examining paragraph development to ensure balanced analysis and evidence.

3/21/2024 4 min read

Analyzing Level 7 IB Paper 2 Sample Essays

When it comes to analyzing Level 7 IB Paper 2 sample essays, there are several key elements that need to be considered. By dissecting the thesis statements, scrutinizing the structural elements, examining paragraph development, evaluating the integration of literary elements, and observing the essays' language use, we can gain valuable insights into best practices and areas for improvement in our own writing.

Dissecting Thesis Statements

The thesis statement is the backbone of any essay, providing a clear and concise summary of the main argument. In Level 7 IB Paper 2 sample essays, it is crucial to analyze the thesis statements for clarity and support. A strong thesis statement should clearly state the main argument and provide a roadmap for the rest of the essay. It serves as a guide for the reader, indicating what to expect and how the essay will be structured.

When analyzing the thesis statements, it is important to consider whether they are focused and specific. A vague or broad thesis statement can lead to a lack of coherence in the essay. For example, a thesis statement that simply states, "The author uses symbolism in the novel" is too broad and does not provide enough direction for the essay. On the other hand, a more specific thesis statement such as, "The author uses the symbol of the green light to represent the elusive American Dream in The Great Gatsby" is much more focused and provides a clear direction for the essay.

Scrutinizing Structural Elements

The structure of an essay plays a vital role in ensuring a coherent flow of ideas. When analyzing Level 7 IB Paper 2 sample essays, it is important to scrutinize the structural elements to determine if the essay is well-organized and easy to follow.

One aspect to consider is the introduction. A strong introduction should provide background information, establish the context, and present a clear thesis statement. It should also grab the reader's attention and set the tone for the rest of the essay. For example, in an essay analyzing the theme of love in Shakespeare's "Romeo and Juliet," the introduction could begin with a brief overview of the play and its historical context. It could then transition into a thought-provoking question or a compelling anecdote related to the theme of love. Finally, the introduction should conclude with a strong thesis statement that clearly states the main argument or perspective of the essay.

The body paragraphs should be logically organized and each paragraph should focus on a specific point or idea. Transitions between paragraphs should be smooth and seamless, guiding the reader through the essay. For instance, in an essay analyzing the character development of Romeo, each body paragraph could focus on a different aspect of his growth throughout the play. The first paragraph could explore his impulsive nature in the beginning, while the second paragraph could delve into his transformation after meeting Juliet. To ensure a smooth transition between paragraphs, phrases such as "In addition," "Furthermore," or "Moreover" can be used to connect the ideas and create a cohesive narrative.

Moreover, a well-developed paragraph should also include a strong concluding sentence that wraps up the main idea and provides a smooth transition to the next paragraph. This concluding sentence should not simply repeat what has already been stated, but rather offer a new perspective or insight.

In addition to the structure and development of individual paragraphs, it is important to consider the overall organization of the essay. Each paragraph should contribute to the overall argument or thesis statement, building upon the previous paragraphs and leading to the next. This helps to create a cohesive and coherent essay that is easy for the reader to follow.

Furthermore, paragraph development should also consider the use of evidence and analysis. It is not enough to simply state a claim; it must be supported with evidence from the text. This evidence can include direct quotes, paraphrases, or summaries that help to illustrate and support the main idea of the paragraph.

Additionally, analysis is crucial in paragraph development. It is not enough to simply present evidence; it must be analyzed and explained in relation to the main idea. This analysis can include examining the author's use of language, literary devices, or themes, and how they contribute to the overall meaning of the text.

The writers should not simply regurgitate information or summarize the texts being analyzed. Instead, they should offer original insights and demonstrate their ability to think critically about the topic at hand. This can be done by providing thoughtful analysis, making connections between different ideas, or offering alternative perspectives.

By examining how successful essays incorporate relevant and specific evidence from the text, we can learn to strengthen our own arguments and make them more convincing. This may involve quoting directly from the text, citing specific examples, or providing relevant statistics or data to support our claims.

In addition to these technical aspects of writing, the analysis of sample essays can also provide insights into the development of a unique and engaging writing style. By studying the writing techniques and stylistic choices of successful essays, we can learn to craft our own distinctive voice and make our writing more captivating to readers. This may involve experimenting with different sentence structures, incorporating literary devices, or using vivid and descriptive language to create a more vivid and engaging narrative.

Overall, the analysis of Level 7 IB Paper 2 sample essays offers a valuable opportunity for self-reflection and improvement. By identifying best practices and areas for improvement, seeking feedback, and incorporating the lessons learned into our own writing, we can enhance our analytical skills and become more proficient in the art of literary analysis.

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Individual Oral

IB English Individual Oral (IO) Explained

Free introductory guide to the IB English Individual Oral by IB45 and IB43 graduates Richard Nguyen & Jerica Nieva.

In this guide, IB45 graduate Richard Nguyen and IB43 graduate Jerica Nieva will share their wisdom on how to tackle the IB English IO. The guide covers everything from choosing global issues to selecting a good extract to structuring the IO to preparing for the question section at the end!

Richard and Jerica both achieved 7s in IB English Language and Literature, with Richard scoring an almost perfect 38/40 for his IB English IO.

Meet your instructor Jackson Huang, Founder of LitLearn. His mission is to make IB English as pain-free as possible with fun, practical lessons. Jackson scored an IB45 and was accepted to Harvard, Amherst, Williams Colleges, and full scholarships to University of Melbourne & Queensland.

What is the IO?

First things first, what is the IB English Individual Oral ?

• It's a 15 minute oral exam.
• The first section is a 10 minute presentation by you, the student, followed by a second section consisting of 5 minutes of questions asked by your teacher.
• The IO is centered around a Global Issue.
• For IB English Language and Literature, you must analyze a literary text and a non-literary body of work.
• For IB English Literature, you must analyze two literary works (one of them must be a work-in-translation).
• Comparison and contrast is not a requirement (unlike in Paper 2)

How do I choose a good Global Issue?

A strong house requires a stable foundation. And if you want to get a 7 for your Individual Oral, then you must have a strong global issue (GI).

The global issue should* belong to one of the following 5 themes:

• Culture, identity and community 
• Beliefs, values and education
• Politics, power and justice 
• Art, creativity and the imagination 
• Science, technology and the environment 

*Actually, that's a lie. According to the current IB English syllabus (First assessment 2021), your global issue doesn't need to belong to any of the suggested themes. The themes are simply suggested by the IB to help you with brainstorming.

First, an excellent Global Issue is one that is relevant to our current society. It must be relatable to many people across diverse cultures and national borders.

Global Issue Examples

To make it clear exactly what we mean, here is a weak global issue as an example…

Now let's look at an example of a strong global issue …

If you're stuck on choosing a global issue, check out this detailed lesson on choosing your global issue. We also include 25 global issue starters to get your creative juices flowing.

No sign up or credit card required.

How do I pick good extracts for my IB English IO?

Throughout IB English, you'll study various literary and non-literary texts in class that you may choose to use in your IB English IO. How you select your extracts can greatly impact your IO as they need to relate to your global issue. 

Before selecting your extract, you should consider how well it can support your chosen global issue. To do this, consider breaking down your main topic into different explanations for how and why it is a global issue, and making these specific for each text. 

Let's read about Richard's experience to see how he approached this process:

“I talked about societal expectations placed on women for one body of work ( The Thing Around Your Nick by Chimamanda Ngozi Adichie), and how these expectations reduce their autonomy in Nigerian society. For another body of work (this was a collection of essays by Marina Keegan my school put together), I discussed how several different norms affect human life: having a stable and high-income job rather than pursuing a risky passion, doing vain acts of charity such as saving whales rather than making a homeless man walk to a shelter. Everything links back to the global issue, that's how you remain focused.” Richard Nguyen, IB45 graduate

You should also consider how the maximum number of lines that you can include in your extract for each text is 40 lines. This gives you some freedom in choosing how in-depth you want your analysis to be. Overall, you want your close analysis to be covering the whole extract – meaning that there is no point in choosing 40 lines and only analyzing the first 20 lines of it. You could lose marks for failing to demonstrate your full knowledge of the extract in Criteria A! So sometimes, less is more and choosing 20-25 lines is the better call. 

Alternatively, you may find that analyzing a long extract is necessary for having enough evidence to support your global issue in a close analysis. Using up to 40 lines in this case would instead be a good approach! Having an effective close analysis will make more sense when we learn about structuring an IO in the next section.

Steps for selecting extracts:

• Read both texts and find a common global issue.
• Find different extracts within your texts that relate to the global issue.
• Compare the different extracts for each text, and pick the one that has a variety of literary and structural techniques that will best support your global issue. Remember these techniques must serve a purpose in portraying the author's intention and commentary on your global issue.
• Consider cutting down your number of lines if you are struggling to include everything in your analysis planning, or adding more lines if you find you need more evidence. 

For Step 3, you must know how to find and analyse literary, visual and structural techniques. Analysis is one of the most difficult skills to master–and yet it is crucial to scoring highly on the IB English IO (and HLE, Paper 1, and Paper 2).

How should I structure my IB English IO?

Overall, an IO speech is 10 minutes long and covers an introduction, text analyses, and a conclusion. Afterwards, there is a 5-minute period in which your examiner will ask different questions – this may seem daunting, but we will guide you on how to prepare later on. It is very important that you are spending the correct time on each section of your speech as criteria C is about organization! Generally, you should aim to have 1 minute for your introduction and conclusion, and 4 minutes for each text analysis.

What do I say in my introduction?

Firstly, your introduction is vital in establishing your global issue and how you plan to explore it through your literary and non-literary texts. As it is only 1 minute, you want to ensure that the information you include is necessary and wholly contributes to your examiner's understanding of your IO.

• Introduce the global issue. Don't be vague in this section and spend around 2-3 sentences specifying how and why your global issue is relevant and multifaceted enough for an IO.
• Introduce your first text. Give only the most significant details such as the author's name, date, text type, and text source. You may also consider detailing the extract pages and whether your text is from a collection. 
• Briefly explain (1-2 sentences will be sufficient!) how your first text relates to the global issue.
• Complete steps 2 and 3 for your second text. It would also be helpful when introducing your texts to specify which is literary and non-literary. 
• Don't be tempted to include a comparison in your introduction! It works better in your conclusion if you wish to include it. 

Secondly, how you structure your textual analyses can vary a lot depending on the number of ideas you aim to cover, and how you organize them to appear cohesive. Before planning your IO structure, you should thoroughly understand the difference between close analysis and wide analysis .

How do I analyze in IB English IO?

There are two different types analysis required in the Individual Oral: Close analysis and Wide analysis. It's important to pick an essay structure that balances the two types of analysis.

What is close analysis?

Close analysis is similar to how you would analyze for a Paper 1 – you reference specific quotes, images, or scenes from the extract when making your analysis and evaluations. Of course, we need to link to the Global Issue in the right way, and also find insight in these links. This is why choosing your extract lines is a critical process as you want to be demonstrating a full understanding of your extract.

Just like in Paper 1, we recommend that you learn how to analyze the 7 main techniques. There are a lot more, but these are a great starting point if you're unfamiliar with literary techniques and analysis.

Learn Analysis

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How do I choose a balanced IO structure?

The Close and Wide analyses for both texts need to be balanced. There are two main structures that we recommend, which we delve into in the Pro lesson below.

Pro Members only

How do I prepare for the IO Questions?

Not gonna lie–the questions can be curveballs.

While your response to these questions cannot make you lose any marks in an IO (which is a relief!), this section is still very crucial in securing those bonus marks to bring you up a grade. 

Questions that are asked may be about:

• Ideas in your IO speech that could be explored in more detail (this is the most common source of questions!). 
• Providing further examples from the text or extract on a certain topic or line of inquiry. 
• Providing further explanation on the author's intention or audience effect of a specific literary technique that you mentioned. 

While these questions are generally relevant to your global issue, they may not be. Ultimately, it is up to your examiner. 

For example, your examiner may ask if there are other extracts that explore “how patriarchal values inhibit women in Nigeria”. And you'll have to answer if there is such an extract and do some light analysis on how this inhibition is caused. Does it inhibit opportunities? Or self-expression? Freedom?

Although your preparation for the IO questions is crucial, the timing of your responses can also influence your performance as you want to be making the most out of the 5-minute period. Here are some tips for during an IO: 

• Spend around 1-1.5 minutes for each response – this allows you to answer up to 4-5 questions. While it might seem insightful to give a 4-minute-long answer, it also restricts the examiner from asking more questions which are generally about parts of your speech that needed a bit more support. 
• If you are nearing 4.5 minutes, it is best to not finish your current response for a new question as you won't be able to give another response in 30 seconds.

Let's read Richard's wise words on how he prepared for his IB English IO questions:

“The best advice I can give you is to know your texts inside out. After each section or chapter from a body of work, write notes about what is explored regarding your global issue. This way, you'll be actively thinking about how the global issue is depicted through your texts. Think: 'what does this section tell me about the global issue?' You should also prepare other examples that prove your point in your analysis. When writing about how the author portrays the global issue through a scene, know if a similar scene pops up in your body of work where the global issue is portrayed in the same way or another one. Essentially, read the entire bodies or work and have a general idea of how the global issue seeps through the entirety of the texts.” Richard Nguyen, IB45 graduate

More lessons in the IO Study Guide

We can't cover everything in this introductory guide.

LitLearn's Pro lessons take you step-by-step through choosing your global issue, planning your IO and choosing the right structure.

We also show you how to approach the IO with the right mindset to avoid costly mistakes, and detailed worked examples to show concrete strategies to score a 7 in your analysis and IO insights.

Wrapping up

We hope this guide has helped you navigate one of the most important (and stressful!) parts of your IB English assessment. Thanks to Jerica and Richard for collaborating on this guide to help fellow IB English students out there.

Question​bank

Paper 1 Practice Exams

Past Paper 1 Solutions

Paper 2 Guide

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The 3 basic principles essential to IB English analysis

Learn how to analyze diction for IB English

Learn how to analyze modality & imperative language for IB English

Questionbank

Try Question 7 from the Analysis Questionbank

Try Question 23 from the Analysis Questionbank

Free introductory guide to the Paper 1 guided analysis exam

The 3 ingredients you're not including in your thesis

Free introductory guide to the Paper 2 comparative analysis exam

Covers the levels of knowledge crucial to Paper 2 preparation

Free introductory guide to the Individual Oral assessment

Helpful list of global issue starters to kickstart your imagination.

Higher Level Essay

Free introductory guide to the HLE assessment